![]() ![]() Then assuming you have Photoshop, or Lightroom, or Elements, open that file in Adobe Camera Raw or Lightroom. Since I believe you don't have the Archive suite, I recommend scanning at 48 bit Color. This way I can do a lot of scans without making adjustments at the time of scanning and adjust them later. I scan to 48 bit HDR files usually since I have the Archive suite. So generally I set the output to 300dpi and set the scan size to for example 16 x 27 inches and press F6 to make sure I'm not over 5400. So if your Nikon had a hardware resolution of 4000, you don't want to go over that. Pressing F6 will show whether the output resoluion you have set, will require interpolation. You can see the input resolution by pressing F5. ![]() ![]() If I have a frame that I consider "a keeper" I like to scan at full input resolution which is for me, 5400 ppi. I like to know what my input resolution is. The SF design has output resolution in mind. The first thing that most users stumble over is setting scan resolution. I believe they have tried to make things a bit more simple with the SF ver. The thing about SF, especially version 6 is it is a professional scanning tool and there really are too many options and setting for the casual scanner. I use Silverfast Archive Suite 6.6 with my Minolta 5400 II.
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